Cornerhouse

FILM

La Mirada invisble 3

La Mirada invisible / The Invisible Eye

15
  • Diego Lerman
  • In Spanish
  • 95 mins
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Showing as part of ¡Viva! 18th Spanish and Latin American Film Festival

Buenos Aires, March 1982. A zealous young teaching assistant trains an ever-vigilant watchful eye over her pupils as she endeavours to uphold the strict code of conduct at the elite Colegio Nacional. Gradually the combination of sexual repression and obsessive surveillance create a claustrophobic atmosphere that threatens to combust.

Julieta Zylberberg’s award-winning performance is central to this atmospheric adaptation of Martín Kohan’s novel Ciencias Morales, a moral fable set in the final year of the Argentine dictatorship, which is the implied reality beyond the high school walls.

Staff Review

Want to know if La Mirada Invisible is for you? Read a review by our LiveWire film critic, James Martin

More Info

Cast: Julieta Zylberberg, Osmar Núñez, Marta Lubos
Country: Argentina, France, Spain
Year: 2010
Subtitles: Full English

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¡Viva! Festival Pass

Make the most of the festival with a ¡Viva! Festival Pass. Festival Pass holders can see a total of eight films for just £50 full / £36 concs or £42 full £28 concs for Cornerhouse Members. To book your Festival Pass, download the pdf booking form here or collect a copy from Box Office and return it with your payment.

Screening times

  • Fri 02
    Mar
  • Sat 03
    Mar
  • Sun 04
    Mar
  • Mon 05
    Mar
    18:20
  • Tue 06
    Mar
  • Wed 07
    Mar
  • Thu 08
    Mar
  • Fri 09
    Mar
  • Sat 10
    Mar
  • Sun 11
    Mar
  • Mon 12
    Mar
  • Tue 13
    Mar
  • Wed 14
    Mar
  • Thu 15
    Mar
  • Fri 16
    Mar
  • Sat 17
    Mar
    14:00
  • Sun 18
    Mar
  • Mon 19
    Mar
  • Tue 20
    Mar
  • Wed 21
    Mar
  • Thu 22
    Mar

REVIEWS

'An intense film that explores the tensions between surveillance and sexuality during the last Argentine dictatorship. Set in the country's most famous school, the Colegio Nacional de Buenos Aires, and filmed with a cinematographic palette of beige, charcoal and blue, La Mirada invisible captures the subtle nature of everyday repression.'

James Scorer, Univeristy of Manchester

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